This exhibition surveyed Christenberry’s poetic documentation of southern vernacular architecture, signage, and landscape using a wide range of cameras, from his earliest Brownie photographs of the early 1960s to his later work with a large-format camera. The exhibition combined never-before-seen photographs, both old and new, with images that are now iconic, the exhibition comprised fifty vintage photographic works and one sculpture. Together, they conveyed the breadth of his singular photographic vision. Aperture, a not-for-profit organization devoted to photography and the visual arts, organized this traveling exhibition and produced the accompanying publications.